Berberian sound studio online2/12/2024 From the (gloriously reconstructed) opening credits, the only footage of the film we actually see, it appears to be a giallo-type horror flick, but Santini (like Strickland), objects sternly to it being described as a horror. Despite mostly working on nature films and children’s television, seemingly, he’s flown to Italy, and the sound studio of the title, to work on “ The Equestrian Vortex,” the latest film from lascivious director Santini ( Antonio Mancino). In a time that’s never specified, but seems to be the 1970s from the fashion and analogue equipment on hand, Jones plays Gilderoy, a mild-mannered British sound engineer from Dorking, Surrey. ‘The Boys in the Boat’ Review: George Clooney’s Inspirational Crew Drama Is Too Hokey to Stay Afloat There was Brian De Palma‘s “ Blow Out,” which followed a movie sound recordist, and one could argue the case of “ Singin’ In The Rain,” but perhaps none have gone into more depth than Peter Strickland‘s “ Berberian Sound Studio,” set almost entirely within the Italian post house of the title, and the British director’s follow-up to his excellent 2009 Hungarian-language debut “ Katalin Varga.” It’s not just a rarity because of its subject matter, but also because it gives a rare leading role to omnipresent character actor Toby Jones (“ Captain America,” “ Tinker Tailor Soldier Spy,” “ Snow White & The Huntsman“). But most examples of the type tend to focus on the making of the movie, with a handful, like “ Adaptation,” following the gestation and writing of a film, but very few have ever focused on the point at which many filmmakers say their movies actually come together: post-production. But filmmakers certainly love films that go behind the scenes of their own business, from “ 8 1/2” to last year’s Oscar winner “ The Artist,” and cinephiles tend to eat them up as well. ![]() Well, that’s perhaps an exaggeration - general audiences have a history of some apathy towards the genre. People love movies about the making of movies.
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